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| Guitar multi-effects processor. Made by Line 6. (EM.99-060-0605)
Whether you use it as the ultimate multi-effects pedal, a PODXT direct recording miracle, a powerhouse preamp, or a creative signal-processing tool, PODXT Live delivers! OVERVIEW POD is the world standard for guitar tone in studios around the world, and with PODXT Live, you can have total control of that history making tone at your feet. You’ll have the tonal heritage of the past century all down on the floor and ready to roll when you are. From models of classic stompboxes, amps, cabs, and mics, to studio effects and synth filters, PODXT Live combines pro features and tones in one rugged, stage-ready package. PODXT Live is an uncomplicated, gig-ready tone machine that’s portable and adaptable to different real world stage and recording environments. PODXT Live can be used as the ultimate multi-effects pedal in front of any guitar amp, as a complete direct PA solution, or as the world-standard guitar recording workhorse in the studio. EFFECTS At the center of PODXT Live is an incredible gathering of over 80 must-have stompbox and studio effects models. This handpicked collection of hits from the award-winning PODxt, stompbox modelers and Vetta II will give you rich and deliciously detailed tones at the touch of a footswitch. Effects can be positioned in front (stompbox-style) and behind (studio-post) the Amp and Cab models, giving you organic and dynamic tones normally available in only the most high-end guitar stage rigs. AMP MODELING Based on the most prized amplifiers in the history of guitar, PODXT Live features 36 classic and modern amp models and 24 cab models, all run through 4 incredibly precise and dynamic microphone model options to provide a complete tonal palette for any type of live gig or studio session. This amazing collection of Line 6 Amp Models has been used on countless hit recordings and tours and is now on the floor at your disposal. READY TO GO FOR STAGE OR STUDIO! PODXT Live has 128 presets ready for instant recall via large, stage-ready channel footswitches. They come pre-programmed with a set of sounds to run in front of an amp, and another set for direct recording. Plus there's the vast online tone library with thousands of tones professionally programmed to nail the signature sounds of the greatest guitarists, bands, songs and gear of all time. Features also include a large backlit display, dedicated stompbox on/off switches, combination wah/volume/tweak pedal, tap tempo/tuner switch, an expression pedal input, stereo 1/4-inch analog outs to feed an amp or line inputs, headphone out, aux input for your CD/MP3 player or drum machine, MIDI, and USB computer connectivity for digital I/O, plus deep editing using the free, downloadable Line 6 Edit or GuitarPort software.
PODXT Live of course has a standard analog guitar input - with a selectable pad and adjustable level to handle even super hot active pickup outputs and high output level stompboxes. But there’s also a Variax guitar digital connection. Now a Variax's collection of acoustic and electric guitar models, plus PODXT Live’s assortment of amps, cabs, and effects can ALL be instantly transformed into virtually any guitar-effect-amp rig with just the press of a footswitch. Features: - Over 80 Stompbox and Studio Effects
- 36 Legendary and Classic Amp Models
- 24 Cab & 4 Mic models
- 128 Channel Memories
- Stereo 1/4-inch analog Amp/Line Outs
- Variax Digital Input
- Routing Options
- Deep Editing
- Built-in Chromatic Tuner
- Large Backlit Display
- Dedicated Stompbox On/Off Switches
- Combination Wah/Volume/Tweak Pedal
- Tap Tempo/Tuner Switch
- Expression Pedal Input
- Headphone Out
- Aux Input for CD/MP3 players, drum machines, etc.
- Full MIDI Support
- USB Digital Recording I/O - Plus, Mac/PC editing with free Line 6 Edit or GuitarPort software
Effects Models Include: - LA-2A Compressor
- Noise Gate
- Fuzz Face
- Big Muff Pi
- Tube Screamer
- ProCo Rat
- Octavia
- CS-1 Comp/Sustainer
- Dynacomp
- Vetta Comp
- Auto Swell
- Mutron III
- Line 6 Sine Chorus
- CE-1 Chorus Ensemble
- Line 6 Flanger
- A/DA Flanger
- MXR Phase 90
- Uni-Vibe
- Opto Tremolo model from the 1965 Fender Deluxe Reverb
- Bias Tremolo model from 1960 Vox AC-15
- Leslie 145
- Vibratone
- Auto-pan
- Boss DM-2
- Deluxe Memory Man
- EP-1 Tube Echoplex
- Roland RE-101 Space Echo
- Sweep Echo
- Line 6 Digital Delay
- Line 6 Stereo Delay
- Ping Pong Delay
- Reverse Delay
- Fender Deluxe Spring Reverb
- Fender Twin Spring Reverb
- King Spring Reverb
- Small Room Reverb
- Tiled Room Reverb
- Brite Room Reverb
- Dark Hall Reverb
- Medium Hall Reverb
- Large Hall Reverb
- Rich Chamber Reverb
- Chamber Reverb
- Cavernous Reverb
- Slap Plate Reverb
- Vintage Plate Reverb
- Large Plate Reverb
- Wah modeled after the Vox Wah
- Volume (Pre- or Post-Amp Routing options)
- 4 band semi-parametric Post-EQ savable per-patch
Plus These Special Line 6 Effects: - Killer Z
- Line 6 Original
- Chandler Tube Driver
- Vetta Juice
- Line 6 Gain Boost
- Boss CS-1 w/ treble switch on
- Mutron III Down
- Line 6 Clean Sweep
- Line 6 Seizmik Synth
- Line 6 Double Bass
- Line 6 Buzz Wave
- Line 6 Rez Synth
- Line 6 Ring Modulator
- Moog and ARP
- Line 6 Synth FX
- Line 6 Synth Harmony
- Moog Lead
- ARP Solina / Elka Strings
- Square CE-1 Chorus
- Line 6 Stereo Chorus
- Line 6 Stereo Chorus
- Line 6 Random Chorus
- Line 6 Stereo Flange
- Line 6 Exponential Flange
- Line 6 Lumpy Phase
- Line 6 Hi Talk
- Line 6 Sweeper
- POD Purple X
- Line 6 Sample and Hold
- Line 6 Tape Eater
- Line 6 Warble-Matic
- Binson EchoRec
- Maestro EP-3 Echoplex
- Line 6 Low Rez Delay
- Line 6 Phaze Eko
- Line 6 Bubble Echo
Amp Models Based On: - Line 6 Clean
- Line 6 JTS-45
- Line 6 Class A
- Line 6 Mood
- Line 6 Spinal Puppet
- Line 6 Chemical X
- Line 6 Insane
- Line 6 Piezacoustic 2
- Line 6 Agro
- Line 6 Lunatic
- Line 6 Treadplate
- Line 6 Variax Acoustic
- Budda 2001 Twinmaster
- Fender 1953 Deluxe
- Fender 1958 Bassman
- Fender 1961 Champ
- Fender 1964 Deluxe Reverb
- Fender 1965 Twin Reverb
- Gretsch 1960 6156
- Hiwatt 1973 Custom 100
- Marshall 1966 JTM-45
- Marshall 1968 Super Lead
- Marshall 1968 Jump Channel
- Marshall 1968 Variac Plexi
- Marshall 1987 JCM 800
- Marshall 1996 JMP-1
- Matchless 1996 Chieftain
- Matchless 1993 DC-30
- Mesa/Boogie® 2001 Dual Rectifier®
- Mesa/Boogie® Mark IIc+
- Roland Jazz Chorus 120
- Soldano 1993 SLO-100
- Supro 1960's S6616
- Vox 1961 AC-15
- Vox 1967 AC-30TB
- Tube Preamp
Cab Models Based On: - 6x9 Supro S6616
- 1x8 1961 Fender Tweed Champ
- 1x10 Gibson
- 1x10 Gretsch 6156
- 1x12 Line 6
- 1x12 1953 Fender Tweed Deluxe
- 1x12 1964 Fender Blackface Deluxe
- 1x12 1960 Vox AC-15
- 1X15 1962 Supro Thunderbolt
- 2x2 Fender Mini Twin
- 2x12 Line 6
- 2x12 1965 Fender Blackface Twin
- 2x12 1995 Matchless Chieftain
- 2x12 Roland JC-120
- 2x12 1967 Vox AC-30
- 2X12 1967 Silvertone Twin Twelve
- 4x10 Line 6
- 4x10 1959 Fender Bassman
- 4x12 Line 6
- 4x12 1967 Marshall Basketweave with Greenbacks
- 4x12 1968 Marshall Basketweave with Greenbacks
- 4x12 1978 Marshall with stock 70s
- 4x12 1996 Marshall with Vintage 30s
- 4x12 Mesa/Boogie®
Mic Models Based On: - Shure SM-57
- Shure SM-57 Off Axis
- Sennheiser MD-421
- Neumann U-67
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